Michele Serros Collection Literary Works, Series 1, Manuscript Drafts, 1993 - 2013
Series
Scope and Contents
The contents of this series consists of draft manuscripts of Serros' books, including printed drafts with corrections, printed drafts with reviews by editors, Cliff Notes in Spanish and English, and correspondence/memos regarding the same.
Up to 10% of A SINGLE WORK may be quoted. SEE ADDITIONAL DESCRIPTION BELOW.
Dates
- Majority of material found within 1993 - 2013
Conditions Governing Access
See the archivist for access.
Conditions Governing Use
NOTE TO RESEARCHERS: Property rights to the physical objects belong to CSUCI BROOME LIBRARY. REGARDING UNPUBLISHED MATERIALS IN PARTICULAR: Literary rights, including copyright, are retained by the creators and their heirs. The Broome Library may not hold copyright and therefore, IT IS THE RESPONSIBILITY OF THE RESEARCHER to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where CSUCI BROOME LIBRARY does not hold copyright.
It is the researcher's responsibility to determine the correct copyright date.
REGARDING PUBLISHED ITEMS: Normal copyright restrictions apply. Please review the Fair Use defense. See: https://fairuse.stanford.edu/overview/faqs/copyright-protection.
UP TO 10% of EACH SINGLE WORK'S contents may be quoted. Reproduction of full names, addresses, or any other type of personal information is strictly forbidden. First names may be cited.
SEE https://www.hrc.utexas.edu/research/#rights-reproductions reproduction rights for unpublished materials.
Please contact the archivist for formal citation. See: https://style.mla.org/citing-letters/ for more information.
"Unpublished works in archives are protected by U.S. copyright law, and authors maintain exclusive rights to control the duplication and distribution of their work. Although authors may transfer their copyright ownership to others or give a library ownership of the work itself, even if it is the only existing copy, this does not by itself transfer copyright in the work. The doctrine of fair use allows the copying of copyrighted works in limited situations. While not every educational use is considered fair use, copying or quoting small amounts of copyrighted material, particularly for the purpose of historical research or criticism, may be considered fair use." https://legalbeagle.com/6606003-anime-copyright-laws.html
It is the researcher's responsibility to determine the correct copyright date.
REGARDING PUBLISHED ITEMS: Normal copyright restrictions apply. Please review the Fair Use defense. See: https://fairuse.stanford.edu/overview/faqs/copyright-protection.
UP TO 10% of EACH SINGLE WORK'S contents may be quoted. Reproduction of full names, addresses, or any other type of personal information is strictly forbidden. First names may be cited.
SEE https://www.hrc.utexas.edu/research/#rights-reproductions reproduction rights for unpublished materials.
Please contact the archivist for formal citation. See: https://style.mla.org/citing-letters/ for more information.
"Unpublished works in archives are protected by U.S. copyright law, and authors maintain exclusive rights to control the duplication and distribution of their work. Although authors may transfer their copyright ownership to others or give a library ownership of the work itself, even if it is the only existing copy, this does not by itself transfer copyright in the work. The doctrine of fair use allows the copying of copyrighted works in limited situations. While not every educational use is considered fair use, copying or quoting small amounts of copyrighted material, particularly for the purpose of historical research or criticism, may be considered fair use." https://legalbeagle.com/6606003-anime-copyright-laws.html
Conditions Governing Use
PLEASE NOTE THAT, WITH THE EXCEPTION OF SERIES 8 (PUBLISHED BOOKS), THE MAJORITY OF THIS RECORD GROUP IS ORIGINAL MATERIAL AND NO APPROPRIATION WITHOUT CITATION OF THIS MATERIAL IS PERMITTED. 10% OF EACH SINGLE WORK MAY BE BE QUOTED.
SEE https://www.hrc.utexas.edu/research/#rights-reproductions reproduction rights for unpublished materials.
SEE https://www.hrc.utexas.edu/research/#rights-reproductions reproduction rights for unpublished materials.
Conditions Governing Use
PLEASE NOTE THAT THE CONTENTS IN THIS FOLDER HAVE BEEN HANDLED BY VARIOUS INDIVIDUALS, BEFORE REACHING THE ARCHIVES. AS SUCH, WE CANNOT PROMISE ORIGINAL ORDER. THERE MAY BE MULTIPLE VERSIONS OF CHAPTERS IN THIS FOLDER. WE LEAVE IT TO THE RESEARCHER TO DETERMINE THE CORRECT SETS.
Conditions Governing Use
In the United States, all works created after January 1st, 1978 have a protection period that is in place for the life of the author, creator, or owner of copyright, plus an additional 70 years after the date of such individual’s death.
SEE https://www.hrc.utexas.edu/research/#rights-reproductions reproduction rights for unpublished materials.
SEE https://www.hrc.utexas.edu/research/#rights-reproductions reproduction rights for unpublished materials.
Extent
From the Collection: 200 Linear Feet (Document cases, oversize boxes)
Language of Materials
English
Spanish; Castilian
Arrangement
Series 1 consists of:
1. Manuscript Drafts
1. “Chicana Falsa and Other Stories of Death, Identity and Oxnard” 1994
2. How To Be A Chicana Role Model 2000; also, Cliff Notas: “How to be a Chicana Role Model”
3. Honey Blonde Chica 2004
4. Scandalosa! 2004
5. An Unmarried Mexican (unfinished)-NO PERMISSION TO REPUBLISH IS GIVEN
10% OF A SINGLE WORK MAYBE BE QUOTED.
10% OF A SINGLE WORK MAYBE BE QUOTED.
Repository Details
Part of the CSUCI Archives and Special Collections Repository